king kill you if you say the wrong thing
The debate over Islam and ISIS remained hot on Time with Bill Maher last night.
Just one week after sparking controversy and a heated response from religious spatagonia fiona insulated boots reviews3cholar Reza Aslan on CNN Bill Maher, Sam Harris and Ben Affleck (along with Michael Steele and Nicholas Kristof in smaller supporting roles) gopatagonia better sweater hoodiet into a fiery argument about radical Islam.
Maher called Islam only religion that acts like the mafia, that will fucking kill you if you say the wrong thing, draw the wrong picture or write the wrong book. Affleck insisted that the numberpatagonia fiona insulated boots reviews2 of radical Islamists was small, and that the entire religion could not be condemned in that way. Harris arguepatagonia new backpackd that radical beliefs in Islam are actually quitepatagonia fiona insulated boots reviews1 mainstream.
Mediaite has the full video below:
And here are selections of the transcript:
Bill Maher: One reason they don get exposed is because tpatagonia better sweater black fridayhey afraid to speak out because it the only religion that acts like the mafia, that will fucking kill you if you say the wrong thing, draw the wrong picture or write the wrong book.
Ben Affleck: What is yourpatagonia fiona insulated boots reviews0 solution? To condemn Islam? To do what? We killed more Muslims than they killed us by an awful lot. We invaded more Bill Maher: I not for more dead Muslims.
Ben Affleck: And somehow we exemppatagonia fiona insulated boots reviewst from these things because they not really a reflection of what we believe in.
And later:
Ben Affleck: ISIS couldn couldn full a AA ballpark in Charleston, West Virginia and you want to make a career out of ISIS, ISIS, ISIS.
Bill Maher: No, we not. That the opposite.
Sam Harris: No, it not just ISIS, it all jihadists. It a phenomenon of global jihad.
Bill Maher: I think that the opposite of what we doing.
Ben Affleck: There (are) those things. There is ISIS, there (are) global jihadists. The question is the degree to which you willing to say, because I witpatagonia footwear nomad gtx reviewnessed this behavior, which we all object to on part of these people, I willing to flatly condemn those of you I don know and never met.
Bill Maher: They not willing. Thispatagonia men's lightweight guide pants reviews is based on reality.
Sam Harris: It not condemning people, it ideas.
Bill Maher: It based on reality, Ben. In the Muslim world, it is mainstream belief.
Beautiful Darkness by Fabien Vehlmann Kerascot
Kerascot s lovely, delicate pen and watercolor art all intricate botanicals, big eyes and flowing hair gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There s no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.
Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
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Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn t know what he was talking about. Climate Changed is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectpatagonia clothing new orleansedly moving.
Here by Richard McGuire
A six page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and thpatagonia employee benefits onlinee wonder embodied in the humblest things.
Kill My Mother by Jules Feiffer
The legendary Pulitzer Prize winning cartoonist delivers his debut graphic novel at 85, a deliriously over the top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey s bodies in motion more thrillingly than Feiffer, whether they re dancing, running or duking it out. The kid has promise.
The Motherless Oven by Rob Davis
This is a weird one, but in the nervy surreal way that word playful novels like A Clockwork Orange or Ulysses are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler like entitiepatagonia guide jacket invitationss that seem to have escaped from Dr. Seuss nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu hoop size wheel of repeating images that changes with the day of the week. They also know their own death day, and Scarper s is coming up fast. Maybe that s why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text only kind at their own game. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two page illustrations are even more powerful, even if it s not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.
